Seej 500 SEEJ 500 SEEJ 500 SEEJ 500....strobe effects in effect....

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jamesgunn:

#gotgpicoftheday “YO Thanos. an orb? sounds sick. will grab for ya. hopefully some killin on the way. :) lol” #guardiansofthegalaxy #gotg

jamesgunn:

#gotgpicoftheday “YO Thanos. an orb? sounds sick. will grab for ya. hopefully some killin on the way. :) lol” #guardiansofthegalaxy #gotg

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Just carry on being this, Zoe, I think that’s all most of us want.

(related, just found out she’s 23 days older than me, brb, smashing all my mirrors)

(Source: z-saldana)

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squidelephant:

cybernetic lobster arms are a sure sign you’re on the path to evil mad scientist status. 

WANT

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human-sloth:

this is the most important thing on the internet today

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nateswinehart:

Being good to each other is so important, guys.

Did not see that coming.

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likeapairofbottlerockets:

Killer Mike is fucking awesome.

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t-d-x:

collaterlysisters:

adventures in fetlife update: I have officially been hit on by a cop

i’m going to go against the usual recommendation here and suggest that you do not fuck the police

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Genius

(Source: vine.co)

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My background in industrial music definitely helped in achieving this. I was trying to get the same feel in ‘Call Me Maybe’ as in a Nine Inch Nails song, making sure it had a pop sensibility, but with people not even noticing how aggressive the kick drum is.

I had this 2012 Sound On Sound article about the techy stuff about recording the immortal CALL ME MAYBE forwarded to me, specifically to show this quote. I may be slow (I am slow) but the it hit my OF COURSE IT IS! button. No wonder the Call Me Maybe/Head Like a Hole mash ups worked so well - they’re a few instrument switches and vocal-inflection tweaks away from being one another, Emily and Claire starring at each other through the mirror’s surface. (via kierongillen)

Proud to say I bored people at some considerable length in the pub pointing out the house beat underpinning this song.

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boysinbarrettes:

quendergeer:

They finally released the incident report
http://www.deathandtaxesmag.com/226910/ferguson-police-release-michael-brown-incident-report-and-its-empty/

holy shit
(e: having some trouble with the link above, here’s a pdf of the police report hosted by the ACLU)

I just… what the fuck is their argument here?
"We gun down and kill so many kids in the street there just isn’t time to record them all.  Do you have any idea how long that much paperwork would take?”
This is just inexcusable.  Meanwhile having clearly failed to protect and serve on the big stuff and, as we can now see, the minutiae too, Wilson is on paid leave while the local police spearhead a campaign that’s raised over quarter of a million dollars for the dick.
Every time it seems like this case has got as awful as it possibly can, the police manage to find a whole new way to loudly declare "fuck you" to any notion of justice.

boysinbarrettes:

quendergeer:

They finally released the incident report

http://www.deathandtaxesmag.com/226910/ferguson-police-release-michael-brown-incident-report-and-its-empty/

holy shit

(e: having some trouble with the link above, here’s a pdf of the police report hosted by the ACLU)

I just… what the fuck is their argument here?

"We gun down and kill so many kids in the street there just isn’t time to record them all.  Do you have any idea how long that much paperwork would take?”

This is just inexcusable.  Meanwhile having clearly failed to protect and serve on the big stuff and, as we can now see, the minutiae too, Wilson is on paid leave while the local police spearhead a campaign that’s raised over quarter of a million dollars for the dick.

Every time it seems like this case has got as awful as it possibly can, the police manage to find a whole new way to loudly declare "fuck you" to any notion of justice.

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zerosociety:

bekutaa:

xekstrin:

THE LITERAL BEST COMIC IVE EVER READ IN MY ENTIRE LIFE

THE FORESHADOWING OMG

Always Reblog

(Source: gronkwena)

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blech:

The New World Geebird & Bamby (via rachelbinxarchatlas):

”The New World” revisits anonymous places of the 20th century. It is set in a time characterized by the conflict of Modernist and Postmodernist convictions, its influence on later 20th century history, and ultimately, the world we live in today. 

On a formal level, this conflict defines the aesthetics of the collection. The interrelation of rational graphic design and anonymous photorealism reflects the contrast of manmade ideals and the acceptance of life in chaos. “The New World” is shaped by an original set of rules, metrics and processes. This enables the revelation of eclectic utopias that, for better or worse, withhold the definition of a photograph.

I’m not sure about the blurb, but I’m a sucker for typologies and modernist architecture.

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